Showing posts with label dnf. Show all posts
Showing posts with label dnf. Show all posts

Wednesday, February 6, 2013

DNF: The Mad Scientists Daughter - Cassandra Rose Clarke

It’s only the beginning of February and we’ve already reached my first DNF (Did Not Finish) novel of 2013. And this one was a heartbreaker, since everything I’d heard about this book was that it was a totally stellar, if tragic read. I was prepared to be wowed, and ended up more than disappointed.

The usual caveat is employed here folks. Since I didn’t read the whole book, this is NOT a review, just thoughts on the portions I DID read of the novel and why I chose to put it down.

THE MAD SCIENTIST’S DAUGHTER by Cassandra Rose Clarke. Here is the synopsis which hooked me:

There’s never been anyone - or anything - quite like Finn.

He looks, and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task is to tutor Cat.

When the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world.

So I read roughly 40% of the book on my Kindle before putting it down. A few things to start with. This book is not YA…at least I don’t think it’s meant to be YA…but that doesn’t stop Clarke from writing it like YA with jarring Adult moments that jump you right out of the story. Some truly incongruous swearing (I have no issues with swearing, but when it's applied in this novel it's totally out of place and occurs at the strangest moments),  a protagonist (Cat) who, though she ages throughout the narrative, always seems to act like a petulant, uninformed teenager (at least as far as I got). Other than Cat and Finn the rest of the characters are cardboard cutouts at best. Her mother and father basically have the blinking word “parent” hanging off them and not much else. You can sense Clarke attempting to make the father sympathetic, and the mother stern…but both those attempts just kind of float by with no real digging into such character growth. For her part Cat is about as unlikable a protagonist as I’ve come across since I started the blog. Like I said, she never acts like anything more than an angsty, melodramatic teenager. Following her around was…off-putting to say the least. I've heard tell she doesn't improve either, though I can't be sure since I didn't reach the end. Finn is…interesting, but he’s not really all that realistic as AI and to be honest I think the idea of the sentient doll (which this story is trying to be) has been done by other author’s in much more realistic, interesting, and believable ways. That's not to say that Clarke doesn't put effort forth. She certainly tries, but I feel she kind of missed what it might be to be AI, and how such a being might interact with a human.

The setting also bothers the heck out of me. This is supposedly a future, post-disaster earth where to pick up the pieces afterward these disasters, robots, or automata were employed to help rebuild. But then those robots were left to wane and while there used to be many, there are far less of them and most now sit dusty in old electronic shops…and thus Finn is a miracle of wonder who looks human but is a machine and is apparently SO special that people come from miles around to study him. I assume this is because these humans don't associate Finn with his automata predecessors...but that seems incongruous since he works much the same with simple programs dictating his behavior...and so perhaps the newness to these studiers is that he looks human? I honestly don't know.  The cities and even the country towns seemingly still depend heavily on technology…houses are smart houses with main computer systems, and people use tablets to read, write and do everything else. There are still traffic jams and multiple shops and businesses operating. But for some reason they stopped using robots?

Wait, let me write that again.

Humankind developed robots to rebuild. And then abandoned them once things were rebuilt.

What?

Is this the same human race that currently populates this planet? The same human race that can’t get off their smart phones at the dinner table? The Same human race who looks for faster and more efficient ways to build and produce everything?

Okay so we made a breakthrough in Artificial Intelligence so that we had worker robots…and the various world governments…all of them…just abandoned them to become dusty relics.

What the? I. Don’t. Even…

Calling that unbelievable as a setting is an understatement.

On top of that, the most interesting part of the story for me would be humans and robots (or AI) interacting and the politicking that goes on in such a relationship. And if we forget the above anomaly, then Finn is seemingly the perfect being with which to explore such a facet. Awesome! Let’s do that. The back cover implies that’s part of what we are getting.

Eh…not really. It gives a LITTLE time to that, but not enough to keep my interest. Instead we get a story mostly concerned with an ill-behaved girl and her “love” for Finn, a machine. Which could be interesting, if it wasn’t treated as a typical Human + *insert supernatural or otherwise ill-matched love interest here*.

I guess the bottom line is that I’ve seen this story done before, and done far better. Where it should concentrate largely on the connection a human and a machine would have, how others perceive such a relationship, and perhaps the ideals of what makes humans “human” in contrast to what makes a machine a “machine”. Instead we get scads of melodrama written in a YA format without an eye towards dealing with those topics. Sure we get smatterings of that topic, but it always feel like an afterthought that Clarke felt the need to address briefly.

Perhaps I’m spoiled by such phenomenal novels about this topic such as THE STORIES OF IBIS by Hiroshi Yamamoto which made me totally change my perception of a world in which AI interacts with humans. But even that had love and friendship stories between humans handled in a solid, and interesting way. I think the one thing I will take away from this novel is that when telling a story like this, attention needs to be paid to MORE than just that relationship to make it work. In this novel, as far as I got, it didn’t work. It uses Finn as a plot point, a toaster (Battlestar reference intended), instead of a character proper.

It could just be me though, and perhaps you might find this novel is really great. I sadly, did not.

Thursday, January 3, 2013

DNF: City Of Dark Magic - Magnus Flyte


Once a city of enormous wealth and culture, Prague was home to emperors, alchemists, astronomers, and, as it’s whispered, hell portals. When music student Sarah Weston lands a summer job at Prague Castle cataloging Beethoven’s manuscripts, she has no idea how dangerous her life is about to become. Prague is a threshold, Sarah is warned, and it is steeped in blood.
Soon after Sarah arrives, strange things begin to happen. She learns that her mentor, who was working at the castle, may not have committed suicide after all. Could his cryptic notes be warnings? As Sarah parses his clues about Beethoven’s “Immortal Beloved,” she manages to get arrested, to have tantric sex in a public fountain, and to discover a time-warping drug. She also catches the attention of a four-hundred-year-old dwarf, the handsome Prince Max, and a powerful U.S. senator with secrets she will do anything to hide.

I do believe there is only one other DNF (Did Not Finish) “review” on here, so it’s not often I don’t finish a book. It has to be extraordinarily bad or boring to make me put it down without intention of giving it any further chance.

CITY OF DARK MAGIC by Magnus Flyte (pseudonym for Meg Howrey and Christina Lynch) is one of those novels. And to be honest I'm kind of glad I began reading it in 2012, so I don't have to say it's the 1st book I read in 2013.

It had a significant amount of buzz surrounding it, a lovely looking cover, a compelling synopsis on the back cover, and a blurb on the cover by funnyman Conan O’Brien (who called it “madcap”). It SEEMED like a win.

In this case, the marketing dept. should be sat down in the boardroom and congratulated on swindling the random reader into reading this vacuous crapola.

It actually started decently enough. An interesting premise, a somewhat compelling protagonist, some bizarre characters and a few mysteries…and lastly a city that, for all intents and purposes, is still relatively medieval. That was the first 50 pages-ish. After that things go downhill fast. I’m not going to write long diatribes about the badness, but I’ll give you a point form list.

- Protag (Sarah Weston) is a Beethoven and music scholar (top of her class) who apparently finds all other history boring. So much so that anytime anyone else talks about their area of history while exporing Prague…Sarah drifts off and talks about how bored she is. Riiiiiight. That’s plausible. If someone is into Music History, one imagines they wouldn't be ANNOYED by history.

- Sarah is a very sexual creature. In fact, she’s not about sex as an act as anything other than stress relief to help her think. No seriously, She will talk about how her mind is so foggy and that if she’s too horny she can’t think straight. Cue random bathroom/religious statue “bent over” sex with quasi-stranger. Ah! That’s better. Riiiiight. Let me be clear I don’t mind sex scenes at all, when they have a purpose. But here they are used in a totally out of the blue, random manner with zero relevance to the plot. And it happens OFTEN.

- My, but these characters are beige. The duo of authors introduce no less than 10 other researchers in Prague, and not ONE of them is memorable. Even the Texan weapons expert is a bleeding caricature/stereotype. They all traipse around saying things, none of it all that important, and attempt only to move the plot forward.


- The villain is LAUGHABLE. Like not quietly reserved in her goals as a villain should be. Not menacing. Not scary. Just an out and out evil 60's Bond villain archetype (without the charm of one). Pitiful.

- Beethoven. Hmmm, the first 50 or so pages were treating the composer like he’s a huge part of the plot. He is and he isn’t He’s forgotten for long sections and then the spotlight will spin back to him. It’s…scatterbrained.

- History is a second class citizen in this book. The author’s spent some time on Wikipedia for names, dates, and small portions of text about historical events…but it is largely un-researched and is then spouted by characters who A. Don’t seem to care much, and B. Don’t really know what the hell they are talking about.

- Prague. From what I hear it’s a beautiful city, but you wouldn’t know it form this book. It’s all about dropping names of places, and nothing really about description. You NEVER feel like you’re in Prague. You could be in any number of old world cities from the lack of description. Hell, even the castle where the majority of events take place is never really described in any detail.

- Old Toenails are chewed to induce time travel of a sort. No, seriously. I don’t even…*shakes head*

The book I kept comparing this one to in my head was Elizabeth Kostova’s THE HISTORIAN. That book was amazingly well written, compelling from page one to the final page, with relevant, deeply explored characters, and a protagonist who you could get on board with. It treated history with the reverence required, the cities it moves through with thought and description, and most of all it stays with its own main mystery throughout, barely wavering from the goal and sees it through to a satisfying resolution.

CITY OF DARK MAGIC on the other hand is scattered, ill-researched, jumps around like a drug-addled monkey, with an unlikable protagonist who doesn’t even ring true to her own supposed character, who likes bouts of stress relief sex for little to no reason. The further I read, the worse it all got. Terrible book in my opinion. You might like it, but it was most definitely NOT for me.

Lastly, please note: The use of my biggest pet peeve written on book covers by Publishers. "A Novel" under the title. Yes, because clearly it needs to be written there... otherwise people would think they were purchasing an 8-track player or a fire engine?

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