It’s only the beginning of February and we’ve already reached my first DNF (Did Not Finish) novel of 2013. And this one was a heartbreaker, since everything I’d heard about this book was that it was a totally stellar, if tragic read. I was prepared to be wowed, and ended up more than disappointed.
The usual caveat is employed here folks. Since I didn’t read the whole book, this is NOT a review, just thoughts on the portions I DID read of the novel and why I chose to put it down.
THE MAD SCIENTIST’S DAUGHTER by Cassandra Rose Clarke. Here is the synopsis which hooked me:
There’s never been anyone - or anything - quite like Finn.
He looks, and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task is to tutor Cat.
When the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world.
So I read roughly 40% of the book on my Kindle before putting it down. A few things to start with. This book is not YA…at least I don’t think it’s meant to be YA…but that doesn’t stop Clarke from writing it like YA with jarring Adult moments that jump you right out of the story. Some truly incongruous swearing (I have no issues with swearing, but when it's applied in this novel it's totally out of place and occurs at the strangest moments), a protagonist (Cat) who, though she ages throughout the narrative, always seems to act like a petulant, uninformed teenager (at least as far as I got). Other than Cat and Finn the rest of the characters are cardboard cutouts at best. Her mother and father basically have the blinking word “parent” hanging off them and not much else. You can sense Clarke attempting to make the father sympathetic, and the mother stern…but both those attempts just kind of float by with no real digging into such character growth. For her part Cat is about as unlikable a protagonist as I’ve come across since I started the blog. Like I said, she never acts like anything more than an angsty, melodramatic teenager. Following her around was…off-putting to say the least. I've heard tell she doesn't improve either, though I can't be sure since I didn't reach the end. Finn is…interesting, but he’s not really all that realistic as AI and to be honest I think the idea of the sentient doll (which this story is trying to be) has been done by other author’s in much more realistic, interesting, and believable ways. That's not to say that Clarke doesn't put effort forth. She certainly tries, but I feel she kind of missed what it might be to be AI, and how such a being might interact with a human.
The setting also bothers the heck out of me. This is supposedly a future, post-disaster earth where to pick up the pieces afterward these disasters, robots, or automata were employed to help rebuild. But then those robots were left to wane and while there used to be many, there are far less of them and most now sit dusty in old electronic shops…and thus Finn is a miracle of wonder who looks human but is a machine and is apparently SO special that people come from miles around to study him. I assume this is because these humans don't associate Finn with his automata predecessors...but that seems incongruous since he works much the same with simple programs dictating his behavior...and so perhaps the newness to these studiers is that he looks human? I honestly don't know. The cities and even the country towns seemingly still depend heavily on technology…houses are smart houses with main computer systems, and people use tablets to read, write and do everything else. There are still traffic jams and multiple shops and businesses operating. But for some reason they stopped using robots?
Wait, let me write that again.
Humankind developed robots to rebuild. And then abandoned them once things were rebuilt.
What?
Is this the same human race that currently populates this planet? The same human race that can’t get off their smart phones at the dinner table? The Same human race who looks for faster and more efficient ways to build and produce everything?
Okay so we made a breakthrough in Artificial Intelligence so that we had worker robots…and the various world governments…all of them…just abandoned them to become dusty relics.
What the? I. Don’t. Even…
Calling that unbelievable as a setting is an understatement.
On top of that, the most interesting part of the story for me would be humans and robots (or AI) interacting and the politicking that goes on in such a relationship. And if we forget the above anomaly, then Finn is seemingly the perfect being with which to explore such a facet. Awesome! Let’s do that. The back cover implies that’s part of what we are getting.
Eh…not really. It gives a LITTLE time to that, but not enough to keep my interest. Instead we get a story mostly concerned with an ill-behaved girl and her “love” for Finn, a machine. Which could be interesting, if it wasn’t treated as a typical Human + *insert supernatural or otherwise ill-matched love interest here*.
I guess the bottom line is that I’ve seen this story done before, and done far better. Where it should concentrate largely on the connection a human and a machine would have, how others perceive such a relationship, and perhaps the ideals of what makes humans “human” in contrast to what makes a machine a “machine”. Instead we get scads of melodrama written in a YA format without an eye towards dealing with those topics. Sure we get smatterings of that topic, but it always feel like an afterthought that Clarke felt the need to address briefly.
Perhaps I’m spoiled by such phenomenal novels about this topic such as THE STORIES OF IBIS by Hiroshi Yamamoto which made me totally change my perception of a world in which AI interacts with humans. But even that had love and friendship stories between humans handled in a solid, and interesting way. I think the one thing I will take away from this novel is that when telling a story like this, attention needs to be paid to MORE than just that relationship to make it work. In this novel, as far as I got, it didn’t work. It uses Finn as a plot point, a toaster (Battlestar reference intended), instead of a character proper.
It could just be me though, and perhaps you might find this novel is really great. I sadly, did not.
Showing posts with label did not finish. Show all posts
Showing posts with label did not finish. Show all posts
Wednesday, February 6, 2013
Monday, August 8, 2011
DNF: Sheepfarmer's Daughter (The Deed Of Paksenarrion #1) - Elizabeth Moon
This is less of a “Did Not Finish” as it is a “Got Most Of The Way And STILL Did Not Finish”.
I read to be entertained and if you can’t entertain me even a little bit after 430-odd pages then the chances anything you do down the line impressing me are totally beside the point.
Elizabeth Moon (controversy about her personal notions aside) is an author I had never read but saw her name on the spines of many books in the fantasy & sci-fi sections. I heard a few endorsements for her work, mostly her early stuff from the late 1980’s and more specifically her Deed Of Paksenarrion series.
Well, I popped into the store last Thursday with the knowledge I’d be going away to a cottage for the weekend, and could use a new book to dive into. Some classic trope-ish fantasy with a military edge. Considering my enjoyment of Cook and Erikson, seems like this would be right up my alley. I grabbed Moon’s first book in that series SHEEPFARMER’S DAUGHTER and off I went.
Well, the book started out interestingly enough with a prelude that is actually a post-script. A soldier of some kind is seen delivering the lead character (Paksenarrion’s) sword home to her father many years after she’d gone off to join the military, where there were fables about her bravery and her deed was considered legendary. Fascinating!
So we then jump back to the beginning with Paks leaving home against her fathers wishes to join up and become a soldier in a local Duke’s army. There is a spate of pages about basic training and while interesting, it is all kind of by-the-numbers so I kept thinking, this is going somewhere. We are talking about a training sequence after all. So Paks gets into some situations while training, one inevitable situation involving an attempted rape and some sort of magic compulsion…but mostly she trains in all the weapons she needs to and they travel south and then east, city by city. There are a few 3 page skirmishes but overall this reads like a manual to fantasy military life. There are dwarves, elves, gnomes, ect. in this world, but we only ever really see them fleetingly, or hear of them. There are various religions all of which are argued or pondered over but none of it really feels deeply rooted. The same can be said for the characters as all of the side characters who drop in and out of the narrative are rather cardboard, but worse the protagonist and her closest people are less than deep. Paks herself is not someone I felt I knew all that well after 430 odd pages.
If a news person went to Middle Earth during the war of the ring, got embedded with the troops of Gondor a few months before Fellowship started to see about military life, it might look and sound something like Moon’s book. Is it decently written? Aside from the cardboard characters….yeah, but there’s a difference between writing something that is technically good and something that is interesting. I was BORED. < ---With all capitals!
My biggest gripe here is that after more than 400 pages, next to nothing happens. People talk and there’s a few fights but overall nothing in this world is threatening anyone. The South is made up of squabbling kingdoms that hire mercenary bands (like Paks’ band) in which to fight and keep people from usurping their lands and titles. I’m sure somewhere there is a “big bad” but I never heard about him/her/it.
At one point, Paks’ sergeant Stammel mentions how south across the Immerhoft Sea is the continent where the people originally came from. Oh, it’s an abandoned wasteland now…he says.
What? How? Now THAT is interesting! What happened to them? How did that society fall?
Stammel: “…”
Damn. Really? I get a little tidbit of something interesting in an otherwise plodding, boring narrative and no one touches on it again? Are you kidding me?
I’ve read some other negative reviews of the book that echo what I am saying here and there were some caustic comments to those reviewers about how it’s part of a trilogy and to read the other books before commenting.
No. Sorry. I shouldn’t have to read 500 pages before something happens to interest me. Trilogy or not, that is an example of bad storytelling. Now, I fully understand that Moon was in the military and a soldier’s life is what she wrote about because she it’s what she KNOWS. I’m not decrying that at all, as that insight into fantasy military life CAN be fascinating (and one should always write what they know)…but if is goes on and on and nothing happens, then the story you are trying to tell will stagnate. Tell me a military tale from the soldier’s POV, but in your first volume something really significant has to happen. Otherwise what’s the point? Another thing is that the side characters should all have personalities that are deeper than name/birthplace/religion. Cook can do it, even though his writing is workman-like, Croaker or One-Eye have more personality in their thumb than Paks did in almost the whole book.
Not for me. Thus is this title a DNF and as such I won’t add it to the review archive since this isn’t a review, but rather an explanation for why I “Did Not Finish” it.
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