Comic book reviews for the week of January 26th in six sentences (or less)

We were transitioning june-ya to daycare this week, and I took some time off in case there was a meltdown or some child on child violence. (Mine would win) Thus I was late in getting to my LCS and writing up everyone’s favourite comic book reviews.

But what I lack in timeliness I make up for in biased opinions and half-assed writing. And today, you’ll get both of those in spades.

THE AVENGERS #9
Writer: Brian Michael Bendis
Penciller: John Romita Jr.

The Avengers continue their quest to discover the identity of the thief who stole the Infinity Gems. Of course all that gets derailed when Steve Rogers discovers the existence of illuminati led by Iron Man who have kept the location of the Gems hidden. Cue several pages of Civil War redux where Rogers and Tony Stark posture and preen and re-ignite their not-so-passive-aggressive hate fest.

Bendis writes 22 pages of talky-talky. JRJR draws 22 pages of pretty drawings. This comic book is exactly what you think it will be.

GREEN ARROW #8
Writer: J.T. Krul
Penciller: Diogenes Neves

Green Arrow is a character that’s had a lot of difficulty finding any stability lately. He’s been a bloodthirsty vigilante, a reluctant father, a proto-Batman, complete with arrow-themed sidekicks, and a confident family man. But none of these interpretations have successfully taken. The character seems cursed by an endless cycle of rebirth that comes complete with a new creative team and a new direction for the hero. Constantly set upon by the whims of editorial it seems like we’re always trying to understand just what it is that makes the Green Arrow tick. Thankfully, J.T. seems to be aware of that fact and he’s chosen to take a slow burn in develop the characters new status quo. He’s reinvented GA as the Robin Hood knockoff that he clearly always been, complete with his own group of Merry Men. The central theme of this title has always been about the various characters exploration of their own motivations and desires. The subject of identity comes to the forefront time and again. ‘Who am I and what do I want’ is a question asked by hero and villain alike. Everyone is searching for something in themselves and a mythical forest, which offers up only more questions, is the perfect backdrop in which to do so.

In this issue Lois Lane drops by to take a look at the magical forest that has sprouted up in the middle of Star City. (An aside: are we officially calling this forest magical now? I thought it was a byproduct of the White Lantern energy.) Sherwood Forest has begun to attract attention from both the scientific community and the DCU’s magic-based underbelly. The two sides collide as each of them struggle to understand the meaning and purpose behind the forest’s appearance. It’s a good issue, a solid attempt to understand and explain the rules and circumstances that GA now has to operate by. It doesn’t reach for the stars but instead chooses to focus on smaller and ultimately more satisfying personal internal struggles.

SHAZAM! #1
Writer: Eric Wallace
Penciller: Cliff Richards

The Marvel family, one of DC’s more poorly developed properties, continues its long slide into creative marginalization. Ever since the poorly executed weekly series, COUNTDOWN, Captain Marvel and the gang have been little more than jumped up lab rats for various DCU creators to experiment with. Mary Marvel’s character was altered beyond recognition, Billy Batson was shuffled off into expositional irrelevance, Freddy Freeman’s rebirth as the new Captain Marvel was robbed of any impact whatsoever by a disappointingly received mini series that was plagued by delays and the most successful character of the bunch was the super villain and perpetual faux Superman foil, Black Adam.

In this one off, meant to catapult the Fawcett characters back into the DCU proper X X starts with the germ of a good idea; ‘Why does everyone granted the powers of Shazam inevitably squander their gift’ and turns it into a 22 page slugfest. Nothing of importance is revealed, nothing of consequence happens and nothing about this issue makes me think the Marvel family is on the verge of a creative renaissance. This wasn’t a bad issue, it just didn’t strike me as anything to get excited about. And its a sad reality of comic books in the 21st century that while you may not have to hit a homerun everytime, you definitely won’t get very far doing the same old thing.

WONDER WOMAN #606
Writer: Phil Hester (by way of J. Michael Stracynski)
Artist: Eduardo Pansica

Wonder Woman battles against the Huntsman, a minion of the Morrigan, the god of war personified by three deities.

J. Michael Stracynski’s aborted Wonder Woman character reboot seems to be bearing fruit. Like Green Arrow, Wonder Woman is a character with a long convoluted publishing history. Her execution in her early stories seems at odds with her characterization. That’s not the only contradiction inherent in Wondie’s makeup. It’s a difficult to stand as an icon of feminist ideals when you’re reduced to fighting crime in your bathing suit. Some writers have twisted themselves into a pretty pretzel in order to explain her garb and her backstory, but the truth remains she’s a hard character to write well.

I know it could be argued that rebooting a character is the lazy way out and normally I’d agree. But I’ve seen Wonder Woman as the Amazon warrior, the ambassador to man’s world and the superhero crimefighter. And none of these interpretations works for me. They’re too safe, too pat. Her character is too sure of herself and whenever an author attempts to graft insecurities onto her frame it always comes across as forced. Stracynski’s back to basics approach, an exploration of a woman trying to define her place in a world that isn’t her own, allows for character growth and exploration that the original incarnation just couldn’t handle. I know the reboot won’t stick, but it’s got me reading a Wonder Woman comic for the first time in 31 years. So that has to be worth something.

Comic book reviews for the week of November 24th in six sentences (or less)

Best of the Week

Walking Dead #79
Maybe this is the Best of the Week because I’m still riding the high I get from watching this series come to life on my television. Whatever the reason, it was the first thing I popped open when I got back from Ye Olde LCS and I don’t regret it for a second. In this issue the community is still putting trying to put their lives back together after a pathetically failed invasion attempt by another group of survivors. The gunplay from the run-in has attracted a herd of zombies who, unbeknownst to the group, are slowly converging on the neighbourhood. Robert Kirkman mixes up the normally mono-track story telling with a little split screen parallel plotting. It’s a nice change of pace and not normally something we see in this book. Charlie Adlard continues to kill when it comes to pencils. And that’s all she wrote.

Action Comics #895
The first of two entries for writer Paul Cornell this week. Vandal Savage has built an entire city overtop of two Black Lantern energy remnants from THE BLACKEST NIGHT in order to protect them from Lex Luthor. Of course, being Vandal Savage, he has the opportunity to do this hundreds of years before Lex is born and before he knows who he even is. This title continues to be an interesting character examination of one of DC’s premiere super-villains. The character is Lex hardly two dimensional, but after decades of stories on the man I thought there were very few takes on him that hadn’t been previously explored. I’m really enjoying Cornell’s exploration of Lex. He’s muted some of Lex’s cartoony, traditional Super-foil aspects and instead given depth and nuance to a character who is usually immune to both.

Batman and Robin #17
Say what you will about Scott McDaniel, but the guy manages to draw a dynamic, energetic story on a deadline and he makes it look good. I’m convinced that McDaniel doesn’t get the respect he deserves and too often he seems to be the go-to fill artist whenever DC needs to turn something around quickly. Paul Cornell takes the opportunity to do a little world building in the lives of Dick-bats and Robin, putting them on their first proper case unrelated to the events of RIP, FINAL CRISIS and THE RETURN OF BRUCE WAYNE. In this story Dick and Damien are tasked with solving the murder of a casual ex-girlfriend of Bruce. While tracking the killer, why seems to suffer from a very Batman villain like compulsion to leave revealing clues, they stumble across a wedding gone horribly awry. It’s a fun, light read and a good counterpoint to the perpetual Bats-event comic we’ve all been reading for the past 5 years.

Batman: Odyssey #5
Another inscrutable Neal Adams Batman story. At the behest of Deadman Batman begins to investigate sinister goings on at Arkham Asylum. And that’s the best that I can do at crafting a one sentence summary for this title.

I’m still not convinced that there weren’t pages missing from this comic. Seriously, a reader shouldn’t have to work this hard to follow the basic narrative of this story. I had to reread several section of this issue and I’m not 100% sure I know what going on. The storytelling is sloppy and unfocused. And the art, while pretty, sometimes fails to illustrate crucial aspects of what’s happening in a scene. There was one section involving a conversation between Batman and a Deadman-possessed Joker that still has me scratching my head. When your artist and your writer are the same person there’s no excuse for crafting a tale this impenetrable.

Green Arrow #6
There’s something happening in this title that I can’t recall ever happening in a modern Green Arrow story, world building. I’m not just talking about creating new characters and fleshing out someone’s stable of villains. I’m talking about simple things, like creating easily defined visual geographic landmarks, like the unoriginally named Sherwood Forest or the iconic Queen Industries office tower (which is treated by the inhabitants of Star City like its been around YEARS, but I’ve sure as shit never seen it before). Even something simple like giving a GA a typical superhero symbol, a stylized ‘G’ belt buckle in the shape of an arrowhead. It’s all superhero world building 101 and some of DC’s most prominent characters have used it to great effect, sporting landscapes that are nearly as recognizable as they are. More importantly, GA has never, if ever, had these tools in his arsenal. Green is not a trademark, it’s a colour scheme and while it may help to inform his identity visually it lacks the simplistic touchstones we as audience need when identifying the good guys.

They only problem is that seminal characters like Superman and Batman have had years to build up these trademarks. Green Arrow titles seem to get re-booted on a semi-annual basis and each new direction is perpendicular to the one that preceded it.

Ultimate Spider-man #150
With this issue Spider-man goes back to his new/old title and numbering. It’s a fairly standard anniversary style issue, complete with the requisite new direction for the character that is often touted during these kinds of milestones. Various characters ruminate on their first meeting with Spider-man and reflect on his nature and character. Peter reflects on the true nature of what it means to be a hero. It’s all pretty standard stuff, but it’s well done so I’m not going to complain. It was nice to see a couple pages from Mark Bagley in this issue, especially considering I thought he was still exclusive to DC. For the longest time Bags take on Ultimate Spidey was so synonymous with the character it was hard to imagine anyone else drawing him and I thought it was really classy of DC to let him do these pages. (If in fact he’s still exclusive)

I’m also not going to get into the changes the Ultimate Universe has been through lately. I’ve seen that analysed in greater depth and with more intelligence then I can offer. Bottom line, in recent years the bloom has definitely come off the rose. The Ultimate line used to be synonymous with fresh takes on classic Marvel characters, unencumbered by the stifling shackles of continuity. Only after ten years it’s inevitable that the Ultimate Universe’s own continuity and publishing mis-steps have robbed the imprint of a lot of its vitality. Only Spider-man seems to have bucked this trend. Given the drop off in numbers for the Ultimate titles I have to wonder how long Marvel will choose to keep this imprint going. I think, if anything, the Ultimate Universe was a victim of its own success, with its greatest ideas and triumphs co-opted by the regular Marvel 616. Either way, whatever its fate, it was an interesting undertaking and one that I think helped revitalize the Marvel U.

Comic book reviews for the week of October 27th in six sentences (or less)

Best of the week

Hellblazer: City of Demons #2

If you’ve read one Hellblazer comic, you’ve read them all. The ‘blazer genre tropes are pretty well worn by this time; so writer Si Spencer just embraces what’s great about the character and rolls with it. As I mentioned when I reviewed the first issue I don’t get why this is being spun out into a mini but artist Sean Murphy’s work is so great that I couldn’t care less. Anyway, Constantine seems to have been possessed by a demon (or demons) and he can pass along this possession like an infection to anyone he meets. Of course normal people don’t deal with being infected by a demon very well and they tend to do lots of horrific and bloody things. I’m enjoying the hell out of the series so far, no pun intended, and I can’t wait to see where it takes me.

Actions Comics #894

In this issue Lex Luthor continues on his quest to seek the truth behind the black power rings from the Blackest Night event. Only Lex’s journey has been put briefly on hold while he comes to grips with the fact that he is, y’know, dead. Death, making a rare cameo outside of Neil Gaiman’s ever popular Sandman series, shows up to wheel, deal and help Lex accept his sudden change in status. This is a fantastic issue. In Paul Cornell’s hands Lex Luthor is still the same ruthless, irredeemable villain he’s always been, only now for some reason he’s a lot more interesting. Cornell manages to explore some of the seldom seen aspects of Luthor’s personality without invalidating who the character is at this core. And it’s always great to see that Gaiman’s Sandman characters continue to play a role in the DCU. If I thought there was any hope in hell Neil would come back to the characters I’d love to see this issue as a trial balloon to gauge reader interest in the franchise.

Avengers #6

Avengers vs. Ultron vs. Future Avengers vs. Kang. There can be only one. Bendis’s first story arc on the reincorporated AVENGERS comes to a close. And with all things time travel related it was a great opportunity for the writer to drop some hints about future story arcs. I don’t have too much to quibble with here. The art was pretty and the story and dialogue were engaging. That being said, I’m dropping the title. I’ve always been a DC guy at heart and on top of that my budget can’t really float another 3.99 ongoing. But it was fun while it lasted and I have no issue pointing prospective readers towards the book if they’re looking for a good read.

Gravel #21

Wait, is this series over? Because this issue reads suspiciously like a series finale. Being an Avatar release there are always about a hundred pictures in the back of the book, detailing the many variant covers of the company’s upcoming releases. And unfortunately I can’t see a solicitation for issue #22 anywhere. Given that series creator Warren Ellis is supposedly penning a live screen adaption of GRAVEL I find the timing of the title’s cancellation extremely unfortunate. Or perhaps it was always meant to wrap up in this way. Anyway, in this ish Gravel throws down with Bible Jack for control of London’s magic. There’s some magic, some gore, a little of the old ultra-violence and a bit of swearing. Happy Halloween!

Green Arrow #5

Green Arrow fights off an uprising of Blackest Night style super zombies while trying to save the life of an innocent bystander who was injured by the assassin Nix. Typing sentences like that reminds me why I can’t interest my wife in comics. Especially if I were to mention that GA beats the zombies by shooting them with slivers of wood from the God Tree. I enjoy how titles with the Brightest Day banner on them are still touching on Blackest Night plot points six issues later. Too often Big Two events are really just an excuse to mix up the status quo. Once the new status has been achieved the big events are quickly forgotten. I suppose that in the pursuit of new readers this reset button is a necessary evil. But I prefer to think of continuity as a boon and not a hindrance.

Superman #704

If there were a section for most irrelevant comic of the week, you’d be looking at it. DC apparently needed to plug some material into their Superman publishing schedule in order to cover for writer JMS’s ongoing illness. What the reader gets is an unnecessary fill-in issue with Lois reminiscing about the road untaken. Or at least, that was probably the intention. Instead it feels more like 22 pages of Lois whining and complaining about being stuck in Superman’s shadow, which is at completely at odds with her character. The art is flat, feels strangely unfinished and every so often the artist, Leandro Oliveira, throws in a canted angle that sticks out from the page like a chorus line of nuns doing the can-can. If you read just one Superman title this week, well, I hope it isn’t this one.

Ultimate Avengers 3 #3

Mark Millar. Blade. Ultimate Universe. Vampires. Mix liberally and apply to the infected area twice daily. Add a healthy dollop of Steve Dillon and enjoy.

Ultimate Comics Mystery #4

I forgot to pick up this issue. What can I say, it was a heavy week and it slipped through the cracks.

Ultimate Comics Spider-man #15

Only one more issue to go before this title goes back to it’s new, old number. Wait, did I say that right? Anyway, in this issue Peter Parker is attempting to regroup and pick up the pieces of his life after almost dying at the hands of the Chameleon Twins. His relationships with MJ and Gwen are falling apart. And even though he’s be lauded as a hero by the Daily Planet, somehow fighting crime seems to have lost its appeal. This is the first real pause for reflection this title has taken since it was rebooted fifteen issues ago. This is Bendis at his best, portraying complicated, nuanced character relationships with depth and feeling. Unlike so many other heroes in the spandex set, what makes Spider-man one of the greats is how he deals with his life when the mask comes off. Bendis has done a great job here reminding us of the timeless nature of the character.

As an aside, Marvel needs to pack in those absolutely terrible Spider-man\Mazda ads on the back over. I'm all for companies making a buck with cross promotions. I just don't think the serious car buyer is going to be won over by an ad on the back of his or her funny book.

Wonder Woman #604

This is how we do it! Unlike his work on SUPERMAN I’m enjoying JMS’s turn on WONDER WOMAN much more. I suspect a lot of that has to do with the fact that essentially Straczynski has been given a clean slate to play with the character. What you’re looking at when you pick up this book is the Ultimitized version of the character and, in my opinion, its really starting to come together. There are just enough familiar elements here to be comfortable to returning readers, but the take is fresh and new enough that new readers don’t feel hemmed in by decades of stifling continuity. In this issue, Wondie throws down with Ultimate Steve Trevor who, without Diana’s influence, has become a horrifically scarred mercenary for hire responsible for the deaths of all the Amazons.

Comic book reviews for the week of September 29th

A light week this time out, as I make good on my promise to keep my comic purchasing habits under control. So without further ado…

Best of the week

Action Comics #893

Like your Superman based comics to actually have Superman in them? Well then you’re in the minority chumly, because for the past two years the Man of Steel has been MIA in his own flagship title. These days ACTION COMICS is the stomping grounds for Lex Luthor and his quest to locate the power source of the Black Lantern Rings, after his own ring based adventures in Blackest Night. This month, Paul Cornell and Sean Chen continue Luthor’s adventures amongst the Who’s Who of the DCU’s A-List baddies by engineering a confrontation with Gorilla Grodd (kneel before Grodd!!!). And don’t forget the backup starring perennial afterthought Jimmy Olsen and newly discovered afterthought Chloe Sullivan.

Green Arrow #4
I think that the character of Green Arrow has all the strengths of Batman, with none of the weaknesses that come from being that same wildly popular character, with multiple ongoing titles and a 70 year publishing history. In the larger DCU pantheon of heroes Green Arrow is a relatively untapped resource that is all too often overlooked. Unfortunately, in DC’s attempt to give him relevance and meaning they had to set fire to his marriage, morals, back story and supporting cast. All so they could pigeonhole him into mirroring a modern day Robin Hood mythos. The whole concept is uninspired and a little too ‘on the nose’ for my taste, even if the story is adequately handled.

Wonder Woman #603

My plan was to pick up this title only for its first arc under J. Michael Straczynski. The writing is perfectly serviceable and the story line is interesting, but I’ve never been interested enough in the character to follow her adventures on an ongoing basis. Unfortunately, while turning out an enjoyable script, JMS hasn’t done anything this month to make me change my mind about that. Interesting and enjoyable just aren’t enough to counter the paralyzing lack of interest I’ve built up around this character. I appreciate what JMS is trying to do, by playing around with one of DC’s golden calfs and seeing if he can’t alter her frozen status quo, just a bit. Anyway, this month WW continues to learn about her new role as protector of the Amazonian remnants in man’s world.