FATHER’S DAY, the 8th episode of Series 1 DOCTOR
WHO is one of my all-time faves. Written by Paul Cornell (a veteran of a number
of the DW novels), the episode is very self-contained and concerns an aspect
briefly covered in the last episode, that of changing something in time, and
what the effects of that are. The difference being that Adam had TRIED to
change something in time and the Doctor stopped him, but this time it’s Rose
who does it (albeit for completely understandable, if selfish, reasons) but she
succeeds as well.
It all starts when Rose asks the Doctor for a favour. She
wants to go back and see her father (Pete Tyler, who died when she was a baby),
and so he takes her to see him when he married her mother Jackie. After that
she begins to reminisce about how her mother used to talk about him when she
was little and that he was killed by a hit and run driver on the way to the
wedding of a couple friends on November 7th, 1987. Jackie told her
that no one was there with him, as he died. The more she thinks about it the
more Rose wants to go to the day he died, and be there for him as he dies. The
Doctor reluctantly agrees and the two travel to the time and place of the hit
and run. The problem arises as she stands there and watches him get hit she is
frozen and can’t make herself go to him. She asks the Doctor for another
chance, so they watch themselves watching Pete get hit and Rose can’t help
herself and runs to push him out of the way of the oncoming car and saves his
life. Then all hell breaks loose. These huge gargoyle creatures start attacking
and devouring people.
The Doctor is upset as he, Rose and Pete head back to Pete’s flat so he can change into the clothes for the wedding. When
Pete is in the other room the Doctor has it out with Rose about changing
something so significant, and the fact that he believes she only wanted to
travel with him to come back and save her father, which she denies. The
argument ends with the Doctor leaving her there and telling her goodbye,
storming out. Pete and Rose head out to the church where Jackie has just
arrived and her two parents get into a huge argument about how Jackie thinks
Pete plays around on her and that he’s a useless inventor who will never
succeed. This stuns Rose as she has always believed her parents were very much
in love when he died as her mother says a bad word about him in the future.
It’s a poignant moment in the story and one that delves deep into not only Rose
as a character, but her family as well.
The Doctor meanwhile has discovered his TARDIS has no
interior any longer and that time is wounded. The gigantic gargoyle creatures
are bacteria attempting to seal the wound by eating everyone in it (this being
a problem the Doctor explains that the Time Lords would have sorted out in the
past, but without any around the gargoyles (Reapers) have to do it). Inside the
Church where the wedding is supposed to take place it is safe since the event
that created the death of Pete in that timeline took place near it.
This episode is the first time that showed me how brilliantly,
and uncompromisingly emotional DOCTOR WHO could function as a TV show. Here we
have a wound in time that Rose has created because she wants to save her father
from his fate, and the Doctor’s subsequent efforts (though he is pissed with
her for her choice) to make sure that he saving of Pete is able to stick and
she will have her father back. Sadly, the paradoxical nature of the event has
made it clear that healing such a wound is not easy. During all this Pete
discovers that Rose is actually his grown daughter, and oh my god that scene
makes me cry manly, manly tears. I can’t even fathom the depth in that scene,
and as just he realizes and Rose’s tears are falling she calls him “daddy” and
my heart just melts. How can you not feel that way? Here is a chance given that
no one has, to have your father back from a death that meant you never knew
him. The tumult of emotions would be staggering.
In what I deem as another step up the ladder/stairs of
recovery from the Time War PTSD, the Doctor instead of feeding his anger about
what Rose has done, he sympathizes and even goes so far as to try to make sure
her act saves her father. Sadly,
in a moment that you can see coming, but is no less hard to watch, Pete
realizes (through Rose telling him lies about things he does in the future that
are out of personality for him) that he dies in his timeline and that his
living is responsible. Imagine the sacrifice you’d have to make. Time is
seriously messed up and people are dying, how easy or difficult would it be to
make the decision to set the timeline right by dying when you need to? Pete
shows himself to be a hero, and the story Jackie is telling Rose as a little
girl from earlier (yet still in the future) changes and she says that no one
knew why he ran outside the church, but that when he died they said an unknown
girl stayed with him the whole time he laid there dying. I mean come on! I’m
not made of stone. I’m not afraid to admit this episode makes me very
emotional. It also impresses the hell out of me that RTD and Cornell didn’t shy
away from the “some things in time MUST stay as they are” and that changing things
is a tricky business. This episode shows us that sometimes even the thing you want most you simply can’t have, and
that some things are actually better for having been left as they were. Rose gets
a few hours with her father and he gets to show her that although he is not
exactly who she imagined him to be, he is still her hero and she gets to show
him the strong person she grows up to be. It’s a wonderfully bittersweet
episode, and one that I love to watch.
NEXT TIME: Oh the first of the Moffat-Excellence written eps
with THE EMPTY CHILD and THE DOCTOR DANCES two-parter!
ahhh, Christopher Ecclestone & Billie, I loved thosed days!
ReplyDeleteAh, the good old Rose days. The flavour of the show has certainly changed with seasons 5 and 6. I enjoy the new seasons, but I miss the old ones.
ReplyDelete