Writer Toby Whithouse, who is probably mainly known for his
show BEING HUMAN in the UK (and its well-adapted US Version on SyFy), has
written a few DOCTOR WHO episodes before. While I really enjoy his Series 2
contribution, SCHOOL REUNION, for bringing Sarah Jane Smith and K-9 back into
the DW universe, his Series 5 episode THE VAMPIRES OF VENICE was only so-so.
So, a fifty-fifty track record going into this past Saturday’s episode penned
by him called THE GOD COMPLEX.
The good news? It was a great, insular, standalone episode.
The bad news? There isn’t any, it was pretty fantastic
throughout.
The great news? It ends very poignantly, and while the rest
of the episode seemingly doesn’t touch on overall Series story-Arc, the ending
certainly does, more on that later.
The Doctor, and the Ponds arrive in what appears to be a
hotel circa-1980’s, but quickly realize that it is nothing of the sort and is
in fact some sort of alien construct designed to resemble a hotel. In the lobby
they quickly meet some other trapped folk. Humans Rita, Howie, and Joe, and the
alien Gibbis (from a world of weak-minded servants). They discover that the
lobby is covered in framed pictures of previous trapped people who evidentially
have succumbed to some sort of fate. The four others claim to have been there
for a long time and that each of them have a “room” in the hotel that calls to
them and makes them want to go in (each room being a manifestation of their
worst fear), but if they do some supernatural alien beastie (who looks like a
big, grizzly, badass minotaur) will eat them. So they keep running avoiding the
creature and their rooms. The place is a labyrinth (Minotaur!) and once they
leave the lobby even the TARDIS is lost. Once the Doctor tries to figure out
what’s really going on the fun really gets into gear.
At once scary, emotional and poignant this episode has
everything a great DW episode ought to have. A well-created, scary beast who
you don’t initially see very well, a well written plot including a number of
nicely fleshed out characters with fairly distinct personalities, and a mystery
for the Doctor to really sink his teeth into. Whithouse, already adept at a
dramatic narrative that includes humour, is on form here as each scene left me
feeling quite satisfied.
Like THE GIRL WHO WAITED last week the ending is a really
well-crafted sequence that completely fits into the narrative strand that was
the bread and butter of THE GOD COMPLEX as a whole, but also into the Series’
overall arc in such a clever way that I was definitely impressed.
I always talk about the main actors involved and how stellar
they normally are, but here it’s nice to see some bit players (AKA the other
folks in the “hotel”) get A LOT of screen time, giving Amy and Rory a bit of a
rest on the back burner mostly. That said, of course Matt Smith is once again
totally on his game. Every time I think that Smith has been madcap for too long
he changes it up to be frightened, or emotional.
I’d like to talk about one more thing, but I feel it would
spoil something in the episode so I won’t really go into it here. Sufficed to
say that Matt Smith solidifies something that David Tenannt’s Doctor used to
profess quite well, and this is the 3rd episode he’s done it in and
I find myself LOVING the connection to that aspect of the Doctor’s psyche.
So, a really solid episode all round. One of the better ones
this Series definitely. Now I
await next week’s CLOSING TIME which features the return of amazing James Corden,
reprising his role as Craig Owens from last Series’ THE LODGER, and it looks
like he works in a shop and has issues with Cybermen!
I really enjoyed this episode. The minotaur was quite sweet. I wanted to smooth him like I would a dog! (Yes, I'm odd. I can't help it).
ReplyDeleteI still haven't seen School Reunion, I manage to miss that one every time it's shown.
Yeah, loved the Minotaur myself. LOL, no worries I felt the same way Lucie!
ReplyDelete