Showing posts with label episode 7. Show all posts
Showing posts with label episode 7. Show all posts
Thursday, November 1, 2012
News: Disney Buys Lucasfilm, New Star Wars Movies On The Way - Our Thoughts
I needed a day to collect my brain from the goo puddle on the floor after hearing the news that Disney bought Lucasfilm for $4.05 Billion, and that they were going to be making more movies starting with Episode VII in 2015. Beyond that, after the announcement (which kind of broke the internet for a while) little bits of extra news have trickled out about what this means ect.
So here we are, a day later and we are a little better informed and I needed to get my thoughts out about this since it is a well-known fact that I am and always will be a STAR WARS fan.
Chris and I both have opinions on this so I've separated them.
Scott's Thoughts:
So, Lucas apparently retains the rights to the Original Trilogy (OT) and the Prequel Trilogy (PT), but otherwise he has sold the rest off to the House Of Mouse and producer Kathleen Kennedy is taking the reigns of the Disney-fied Lucasfilm. Now Kennedy’s resume as a producer since 1981 is basically a list of some of the greatest and most amazingly well-received films in the latter half of the 20th century. She has worked repeatedly with Steven Spielberg, and some of her biggest hits include RAIDERS OF THE LOST ARK, BACK TO THE FUTURE, WHO FRAMED ROGER RABBIT, CAPE FEAR, ALIVE, TWISTER, and PERSEPOLIS. Putting her in charge of the entirety of the STAR WARS universe is probably the biggest and best step that the franchise has seen since EMPIRE was made. She just sees that good films get made. Lucas’ role has become that of “creative consultant”…which I think we all know is a nice title and will mean he has a say…but in the end the final decisions will be made by Kennedy and the House Of Mouse. This means George Lucas, a man much maligned (and some would argue accurately) for his poorly written Prequels and moderately standard Direction, has his fingers pretty much out of the pie. Regardless of what he agrees or disagrees with, Disney now has the clout to say “Well, that’s great George, but we’re going to do this anyways.” And to me that’s music. I maintain that even though I like large sections of the prequels, they are still a narrative mess with lots of wooden dialogue and a poorly crafted, unbelievable love story. They could have been so much better had they been written by someone with the chops, and they could definitely have been directed with more verve. But at the end of the day they were technically Indie films, and it was GL’s call. So we are left with an adored OT, and a rather beleaguered PT.
But what light is this? On the horizon? If you had of told me a week ago that GL would ever let the keys to the STAR WARS universe go, and that it would be tabled that a new set of films were being created…I’d have called you nuts and called the folk in white lab coats. Probably the biggest bomb dropped on the internet in years, this news was totally unexpected, but more often than not I see people cautiously embracing the notion that Disney will be seeing more STAR WARS made. Why? Well because a lot of people’s problems (probably most of them) with the prequels began and ended with GL. The Expanded Universe (books, comics, TV shows) is peppered with other writers and creative entities and they have all been far better received by fans than those GL-written prequels ever could have been. Couple this with the House Of Mouse’s most recent acquisitions. They bought Henson Co. and the result was Jason Segal’s excellent MUPPET film, and then they hit the mother load. They bought Marvel comics, they united Marvel film continuities, and they allowed Fanboy/Girl favourite Joss Whedon to shepherd THE AVENGERS to the big screen. I should not have to tell you how that went. All this info leads me to believe that not only are Disney’s hands the right ones to have the franchise, but that this might lead to a Golden Age of STAR WARS with a set of films that might battle their way back from what was lost with the prequels.
It feels really weird to be speculating about new STAR WARS movies. At the ripe old age of 35, I saw EMPIRE and JEDI in the theatre with my parents, and in the late 90’s I speculated with other STAR WARS nerds about the new prequels that were coming in 1999, and here I am speculating again about a new set of films on the horizon with Episode VII now on the table for 2015. So what follows are some guesses as to what I think will happen with these films.
Firstly, the latest is that in the summertime GL met with both Carrie Fisher and Mark Hamill for lunch. At that lunch he dropped the bomb that the plan was on the table to make more films starting with Episode VII. The clear indication there that this is a continuing story and would take place post Episode VI (RETURN OF THE JEDI). Apparently both Hamill and Fisher were like “What?! Are you nuts?” That is an apt reaction to such news.
It’s unthinkable…at least at first.
I think once the shock wore off and it settled in, both Fisher and Hamill would be amenable to reprising their roles. Interestingly enough the timing works on a story level. Like the time distance between the prequels and the originals, the next film could pick the story 30+ years later with Luke, Leia (and possibly Han depending on Ford who swore he was done with Solo…but he’s not doing a lot these days) in generational roles as elderly heralds of a new generation to take hold of their destinies in a galaxy far, far away. In the EU (Expanded Universe) Luke eventually reinstates the Jedi Order, and as he ages becomes a grand master of a whole new generation of Jedi to protect the galaxy.
Would new films be beholden to the EU books and such? Almost certainly not. No more than they would be able to shoot films that took place directly after JEDI. So no Thrawn Trilogy, and probably not even the Yuuzan Vong fron the NJO series. However, I think the chances are high that a new timeline could be established with characters names and personalities in slightly different or new situations. For example, Mara Jade will almost certainly be involved, and I think the Solo kids would be still be Jacen, Jaina, and Anakin and Luke’s son would still be Ben….but I doubt that any of them would be carbon copies of their EU counterparts and the stories they were involved in. I think allowing them to be organically their own entities on screen would honour the EU fans, while blazing its own trail. At any rate, involving Luke and Leia indicates to me that this will HAVE to take place 30+ years in the future and that in turn means we need younger protagonists to be in the story with the older actors taking on Alec Guiness-like roles. I’m more than okay with this and I would welcome actors that I revered as a youth back on the big screen as characters that made them famous. The added sweetness being that if anyone has any issues with GL himself, he’s not really involved enough to cause a problem any longer. I even think that Harrison Ford would reconsider his longstanding “I’m done with Han Solo and Star Wars” Stance with no GL involved, but that might just be speculation or wishful thinking on my part. If Harrison Ford agreed to play an older Han Solo I think Star Wars fandom would crap their pants.
It does seem that in the current pop culture waters that appealing to teens is a goal. HARRY POTTER, TWILIGHT, HUNGER GAMES ect. prove that you need to pay attention to that demographic over others. That’s where the money is to be made and I think that the older generation would come for Luke and Leia Ect., but would stay with the teens to see a whole new generation of teens growing up in a galaxy far, far away and dealing with new problems and universe-threatening monsters. It’s actually a really big win-win if you look at it like that and a way to please all three of the generations who are STAR WARS fans.
Basically my feelings come down to this. I like STAR WARS, and more STAR WARS is a good thing. Now, had this announcement come as “Lucasfilm and GL were planning more films” I don’t think I would be remotely excited. I’d be interested, but my interest would be hampered by my knowing he’s not the right creative hands to handle his universe. That the company that gave me MUPPETS and AVENGERS are in charge now and a producer who’s films I explicitly enjoy and who’s judgment I trust is leading Lucasfilm now. Well that takes what could have been very “meh” news, coloured it with vibrant excitement and made me 20 years old again and speculating on the internet with friends and fellow fans about just what Episode VII and beyond will bring us.
Chris’ Thoughts:
I think its safe to say that I haven't agreed with (m)any of George Lucas's desicions over the last 15 years or so. Pick a category at random, creatively, business-wise, whatever you can come up with, I'd have to pretty much universally pan them all.
The sole exception would be his (or Lucasfilm's) handling of the Expanded Star Wars Universe.
Star Wars has a fantastic expanded universe. And most importantly it all relates causually to each other between the various mediums. Which means if something happens in the comic books or television shows or prose novels, best efforts will be made to acknowledge that event or characterization throughout their entire lineup.
Its not perfect. There are some inconsistencies, but from my experiences they do the best they can with the tools they've got.
Adding new Star Wars movies to the mix, ones not shepherded by Lucas et al, introduces the very real possibility that these new ventures will touch on parts of established continuity but will not feel beholden to it.
Fair enough, your property, your choice.
Besides, if they do go ahead and try to include some of the original cast into these new movies there's no way they can reconcile the age differences of their lead actors with the post-ROTJ stories.
Thus the scourge of the modern comic book fan raises its head, what is canon, what is not. If something in the nu movies contravenes what's been previously established as 'in continuity' who wins?
(My guess is the multimillion dollar blockbuster film is the final word)
To be truthful the prequels did a lot to wipe the taste of nostalgia from my mouth when it comes to the Star Wars franchise. I still have a warm place in my heart whenever I see the original films, the ones that weren't unnecessarily re-edited to have Greedo shoot first.
But for the rest of it I'm content to drop in and out where I like, a little animated Clone Wars here, a Zahn novel there and a comic or two whenever it suits my fancy. I'll gladly line up to see new Star Wars movies but I won't be frothing at the mouth anymore at the site of Jar Jar Binks, or hearing the incredibly clunky dialogue or Lucas's refusal release the movies in the manner I'd most like to see them.
So kudos to Disney, I wish them the best of luck with their purchase. I have my fingers crossed that they'll be able to recapture some of the magic of the original trilogy, but I certainly don't think they'll do anything to damage the franchise.
Star Wars used to belong to just George Lucas. But as it grew and other creators got to peek into the toy box it was always very apparent that those toys were property of Georgie-Boy. I think its time that someone else got to play with the action figures for awhile and see what they can come up with. I think we'll all be pleasantly surprised.
Labels:
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Kathleen Kennedy,
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Thursday, November 24, 2011
Doctor Who Re-Watch: Series 1, Episode 7 (The Long Game)
The 7th episode of Series 1 DOCTOR WHO is a bit
of an odd duck. It’s written by Russell T Davies, and even stars Simon Pegg in
a villainous role, but it’s a really tough episode to properly like. What’s
worse about that statement is that this episode is actually the first real
key/notice that something is not right with humanity, and this is the first
inkling of things that will come to fruition later near the finale two-parter,
so you really have to watch it.
That said, if I COULD have skipped THE LONG GAME (I can’t,
as I want to be thorough, and I want my co-watchers who haven’t seen these to
have the full experience), I definitely would have.
Is it a bad story? No, not at all, and the writing in it is
even good. The problem arises two-fold. Issue #1: is that this episode pretty
much exists as cautionary tale concerning Adam (picked up in the TARDIS from
last episode DALEK). Remember that moment in BACK TO THE FUTURE II when Marty
has the sports almanac to place some bets in the past and get rich, but Doc
catches him and tells him he didn’t invent the DeLorean to win at gambling…and
then the rest of the movie shows why Biff using it is such a bad plan? That’s
what THE LONG GAME is for Adam and the Doctor. Only the Doctor is about a
hundred times more pissed about it. Issue #2: Is that aside from Adam’s (rather
quick) fall from the Doctor’s grace, the episode doesn’t have oodles to say
arc-wise, and even the clever first signs of the stuff that will be dealt with
in the finale don’t really fit the bill of importance yet. So the episode feels
like mostly filler. Which is sad, since as I said above, the writing and
dialogue is very good.
Basically The Doctor, Rose and Adam land on a space station
in 200,000 years in the future, overlooking the 4th Great And Bountiful
Human Empire. The station, they quickly discover has many levels, and is a
conduit for all news to be distributed across the empire (96 billion people).
In a macabre display that shows the Doctor something is really wrong with this
human timeline, the people who report this news have holes built into their
forehead that open to receive thick data streams of compressed info, not to
mention the station is REALLY hot. Of course it doesn’t take long for the
audience to find out that some big nasty baddie (in this case the Jaggrafur
creature; a huge upside down fleshy volcano with razor teeth and no eyes that
needs to keep cool) is running the show (with his underling Simon Pegg’s The
Editor) from the 500th floor, which is a place the inhabitants of
the Station believe is some golden-walled Shangri-la, and if they are good they
will get “promoted” up there. Little do they know this means their death, so
the chips in their heads will blindly keep doing the bidding of the creature.
The episode follows the logical progresson: Something is
wrong, The Doctor and Rose investigate, They find a human who is both annoyed
by their meddling, and perplexed that her life may not be what she thought,
meddle, Get Caught by the Villains, are saved by helpful human, kill the
baddie, everything goes back to normal. The only addition to that narrative is
the above mentioned “sports almanac” Adam storyline which ends with the Doctor
dropping him at home (with the data hole in his head that activates by snapping
fingers), destroying his answering machine where he left a message of all the
data from the future, and tells him he is not welcome in the TARDIS any longer.
He implores Rose to let him come along, but she turns her back on him too. So
yeah, they could have called this episode ADAM IS A MORON WHO FORFEITS HIS
CHANCE AT TIME & SPACE TO GET RICH QUICK because that is essentially what
it does for you. The only other thing it really does is set the Doctor’s mood
for the beginning of the next episode (one of my faves), which you will see
when we get there.
Simon Pegg is good. He's not great because he doesn't really get to do his comedy thing and is more the villains sidekick who gets to say nasty things, but generally isn't a comedian.
Simon Pegg is good. He's not great because he doesn't really get to do his comedy thing and is more the villains sidekick who gets to say nasty things, but generally isn't a comedian.
It’s a decent episode as far as a filler one goes, but
beyond that you could skip it without missing too much…BUT if you want to be in
the KNOW come finale time this episode actually serves as prologue and shouldn’t
really be missed. It’s a conundrum, but thankfully the episode isn’t painfully
bad or anything, simply kind of boring and by-the-numbers.
NEXT TIME: One of my all-time faves from this series FATHER’S
DAY is up next.
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