Doctor Who - Big Finish Audio Adventures - 2.1 Dead London

 The 2nd Series opener for the Eighth Doctor Adventures is a bit of a gamble. We start things off in DEAD LONDON with the Doctor and Lucie Miller separated. Considering how solid their bond was by the end of Series 1, it's quite a bold choice to begin the second Series this way, but it pays off as far as I am concerned. It only pays off though because the story is such a clever spat of time shifting.

Basically this episode drops our TARDIS team into a very strange London where a parking violation in 2008 can earn you a hanging in the 1800's. Time is seemingly shifting around both Lucie and the Doctor, and there are only a few connecting threads that allow the two to sniff out the trail of what is going on. The Doctor, charged with parking the TARDIS in the wrong place, links up with a fellow lawbreaker in Victorian London named Spring-Heeled Sophie. The two eventually find Lucie and attempt to sort out what exactly is going on and why the Judge in one time looks like the chief of police in another time who looks like a hangman in another time. In any other tale it might seem convoluted, but in DOCTOR WHO it's par for the course for our intrepid Time Lord.

The best bit about this opener is the rivalry between Sophie and Lucie. It's only slightly there as Lucie is too proud to actually comment on it aloud (ala Rose Tyler), and instead just tries her very best to trump Sophie in the companion category at every chance. It's incredibly fun to watch as Lucie really does trump Sophie for me...Sophie is interesting, but she just can't match the sassy, strong nature of our companion.

The story in DEAD LONDON is a great little diddy. It's interesting without being over the top. It's got different timelines, scattered characters, and crazy alien connotations. Great voice acting form the guest stars, and a really, solid opener to the series. Is it great exercise in Doctor / Companion relationship and it is really just a good DOCTOR WHO story at the end of things.

There's not much more to say. It's not as good as some of the previous stories in the range, but it certainly is a cool, irreverent choice as an opener for the 2nd Series and for that I applaud Big Finish.

NEXT TIME: Stay tuned for one of the most fun DW Audio Drama's in the EDA range, MAX WARP!

Doctor Who Re-Watch: Series 2, Episode 3 School Reunion

I recall when we first got wind of the fact that Series 2 Episode 3 of DOCTOR WHO was going to star Anthony Stewart Head (Giles from BUFFY, and Uther from MERLIN) in a villainous role (yes, even back then I was looking up rumours and spoilers about the forthcoming series) I was super excited.

Then I saw the Next Time Trailer after TOOTH & CLAW.

Sarah Jane Smith?!? K-9?!?!? Holee crap!

I grew up watching the 4th and 5th Doctor’s (as I’ve mentioned), so seeing two of my all time fave characters from Classic DW return in the new one. Oh man, that was going to be awesome!

There I was just assuming that having them on the show at all would be boon enough, but no, RTD and writer Toby Whithouse (everyone’s favourite BEING HUMAN creator) decided not to just shoehorn them in for the sake of it, but use them to deal with latent issues that bubble under the surface with the TARDIS crew. But I’ll get to that later.

SCHOOL REUNION is a very DW type story. Alien bat-thingies (Krillitaines) have body-snatched teachers at a middle school and are feeding the children chips with special oil that makes them super smart, and then sit them at multiple computers working on a scientific theory of everything which would eventually allow them control over all time and space. Nasty buggers, the Krillitaines are creatures of scavenging who take the best features they find of each race they conquer. The Doctor, Rose and Mickey aren’t having it and set out to stop evil Giles and his cohorts.

So let’s examine the key bits about this episode above and beyond the main plot devices. First up Rose, for some reason, was under the obtuse assumption that the Doctor has not travelled with other companions. There was a pretty funny one page web comic going round that had a long line of people showing ALL the previous companions since Susan, ending in Rose shouting “You said I was special!” which I always got a chuckle out of. It’s pretty much illustrated here in Sarah Jane’s arrival and reunion with the Doctor (albeit 5 bodies removed from the one she recalls). He has to basically explain to Rose that there have indeed been others and while SHE could travel with HIM forever if she chose to, because of his long life he could NEVER travel with her for the rest of his. It’s quite a sobering moment actually and was probably like a bucket of cold water on Rose. So she really has to come to grips with his ageless life, the lonely god, and why he has to live how he lives. I like to think that Rose is accepting of the fact that she wasn’t the first and won’t be the last and hopefully she doesn’t begrudge him those relationships. But to be honest, Rose’s track record in the selfless department isn’t exactly stellar. She has spent the last few major revelations growing as a person to be less the selfish person she was when she began this, but I don’t think at this point she was quite there yet.

Secondly, we get my favourite development in this episode. The reappearance of K-9 (Mark III for those of you counting) causes Ten endless joy as he’s overjoyed to see his old faithful companion again (Last seen leaving the 4th Doctor with Sarah Jane), but in Mickey Smith it’s a head-smacking revelation. In the TARDIS crew he’s known for a while he’s kind of a third wheel when it comes to the Doctor and Rose’s budding relationship. It’s something I’ve never held Rose as accountable for (her treatment of him) as others have since Mickey begins his DW life as a lay about who would rather go down the pub and watch footie than spend time with his (at the time) girlfriend Rose. Her progression to love another man is as much a result of Mickey’s aloof treatment of her as it is her own selfishness. Mickey knows this, and has seemingly accepted it. It’s here that he comes to the realization that he’s the latest TARDIS crew’s version of the Tin Dog. He’s K-9 2005, just a human one. It’s the kind of moment that in anyone else would make them furiously angry, but I think Mickey should get points for not immediately responding that way. Be the time the episode ends we are shown that the Doctor doesn’t look at K-9 as just a Tin Dog, but as a valued and important member of the team. He’s a friend and he’s not as disposable as Mickey assumes him to be. In fact, Ten’s more then gentle treatment of K-9 when he is hurt proves to Mickey that even though Ten refers to him as “Mickey the Idiot”, he’s a friend. He’s trusted. He’s important. He’s so much more than a Tin Dog.

The TARDIS crew obviously stops the Krillitaines, and the Doctor has to say goodbye to both Sarah Jane and K-9 yet again, but again we’re given the secretly building plot of Rose and Mickey and their own inner growth. It’s truly nice to spend S1 and S2 watching Rose and Mickey go from on-the-rocks lovers, to spiteful exes, to begrudging companions to finally (down the line) inseparable platonic friends. I think it was RTD’s plan all along to set them on that journey and SCHOOL REUNION is certainly a big link in that chain of events.

All in all, a wonderful episode for modern and Classic DW fans alike. There is plenty to enjoy in the main story, and plenty more to examine in the deeper character stuff. And what’s especially interesting is that the Doctor, aside from some ex-girlfriend, new girlfriend moments of awkwardness, is kind of in the background allowing the guest stars and other protagonists a chance to shine all on their own.

Next Time: Steven Moffat’s Hugo-award winning episode THE GIRL IN THE FIREPLACE takes place both in Space and in 17th Century France!

Doctor Who Re-Watch: Series 2, Episode 2 Tooth & Claw

I’ve got more than one of these Re-Watch posts in the bag so I’ll be posting one today and you’ll see another one Monday, after that I will be caught up to the viewing sched properly as we’ve not moved onto the Cybermen two-part arc yet in our Re-Watch.

For today though…TOOTH AND CLAW!

RTD had a theme whenever he started a new Series of DW, he’d do one intro Companion ep, and the next ep would ALWAYS be one that took place in the past (Episode 2’s in Order: THE UNQUIET DEAD, TOOTH AND CLAW, THE SHAKESPEARE CODE, and THE FIRES OF POMPEII) It was just something he did. Now one might argue that of those eps, THE FIRES OF POMPEII is the best…but I think there is more at work in TOOTH AND CLAW than anyone gives it credit for. So let’s dig in shall we?

The Doctor tries to take Rose to a concert in the 1970’s…but miscalculates and they end up in the 1870’s Scotland, not only that but they stumble across a covered carriage that is transporting the Queen herself (Victoria)! I love the idea that the Doctor is like a tornado in time; he attracts big events, people and fixed points like a loadstone, and the Queen is no exception. What’s even more interesting is that they are heading to Balmoral Castle, but are waylaid by a train derailment and end up at a retreat in the wilds of northern Scotland that the Queen’s deceased husband used to frequent called…dun dun dun….TORCHWOOD! Yep, this is the genesis of the future organization and the eventual spin-off show.

Sidenote: Torchwood is an anagram of Doctor Who. Ding ding ding…the more you know!

So the Torchwood estate has, unbeknownst to the Doctor, Rose and the Queen and Co., been taken over by a band of fighting mystic monks set on releasing a creature upon the Queen when she arrives. The creature, revealed just after the credits roll is some type of Werewolf. Cue the best special effects shown in DOCTOR WHO so far, the wolf is wonderfully realized, scary and growly. When the company arrives at the estate the monks disguise themselves as staff and the staff are kept in a sub basement with the creature, who of course escapes and attacks.

 There is a lot of little things in this episode that I enjoy watching. Firstly Rose’s attempts to get the Queen to say her famous line (“We are not amused.”) start off ridiculous and get more hilarious as the ep goes on. It’s one of those moments where you realize just how much FUN Rose has while adventuring with the Doctor.

Sidenote 2: This is something I feel was missing from recent companions Amy and Rory. They never seem to be having fun on their adventures, it’s all business.

Anyways, the Queen eventually obliges and says the line, much to Rose’s enjoyment. There is also the fact that David Tennant gets to use his actual Scottish accent in this episode since he is posing as Scottish Doctor and that must have been great for him, and we certainly enjoyed it. Watching the genesis of Torchwood and why it exists (created by Victoria in the waning minutes of the episode since she realizes that the British Empire is threatened by non-terrestrial enemies as well as terrestrial ones) is always fun, especially knowing where it went down the line. What it began as and what Jack Harkness fashions it into are two different things, and RTD let himself play about in the sandbox history of that.

The dénouement of the episode concerns the fact that Prince Albert was aware of the werewolf threat and had Victoria's famed diamond cut down so it fit into a telescope device in an observatory on the estate as a key component that would send the werewolf (which was actually an alien creature of light who was trapped on earth) gracefully into death forever. The etsate was designed in the past by the Earls father as a trap to catch the beast and set it free. It also shows us that in the final battle with the Wolf before subduing it, Victoria was bitten and the Doctor explains that her line always and forever after that had a blood abnormality (this is a truth on historical record actually) that no one could figure out. RTD made Queen Victoria and the current line royalty…part werewolf. THAT is super cool.

One of the more emotional moments in the story is when the owner of the estate, Sir Robert, after having begrudgingly let the Monks trap the Queen in the house for fear of what they would do to his family, sacrifices himself to save them, buying them time in the observatory room and preparing the device. It’s a small moment, but I always love how RTD can help redeem people. Even though he wasn’t a villain, Sir Robert made a mistake in allowing the Monks to get as far as they did and that made him a touch cowardly. Well the redemption in death allows you to walk away from the episode and not think poorly of Robert for nearly betraying his monarch. That’s kind of a big feat for a paragraph in a script to accomplish, as he could have just as easily allowed Robert to live and written his transgression away by reason of needing to save his family, no matter the cost. RTD takes the tougher route in the narrative flow and makes it look easy. Bravo sir.

There’s lots of comedy, action and dramatics in this episode and it just seems like the cast and crew had a blast making it. Great ep!

Next Time: Buffy’s mentor Giles, it turns out, is actually a human drinking bat creature form Space in SCHOOL REUNION! Also, Sarah Jane returns after 35 years with everyone’s favourite metallic dog K-9. “Affirmative, master.”

Doctor Who Re-Watch: Series 2, Episode 1 - New Earth

I just realized that what with the latest Series of DW (7) and my attendance of TIFF, there has not been a new DOCTOR WHO RE-WATCH post since June. We left off with the 2005 Christmas Special (THE CHRISTMAS INVASION), which aired prior to Series 2 proper and handled the immediate post-regeneration of the 9th Doctor into the 10th. We got past Rose’s initial upset over losing the 9th when she sees what Ten has up his sleeve for the adventures. And here...we...go...

And it turns out the first adventure takes them to New York. Well, strictly speaking, it's the fifteenth New York, which makes it New New New New New New... New New New New New New... New New New York. At any rate Series 2, Episode 1, titled NEW EARTH is a humdinger. Why? You ask me. Well that’s easy. Ten and Rose ‘shippers (that would be those of us who wanted Ten and Rose to end up together)…this is where we started. Because in this episode, though it’s not technically her at the time, we got to see Rose kiss Ten. It’s a doozy of a kiss and the chemistry between David and Billie is so palpable that I dare anyone to watch the episode and not feel it.

I’ve always said that RTD’s skill is his storytelling and characters, and this episode is especially clever because he plays the long game with us and re-introduces us to The Face Of Boe. He is a big giant head with tentacles inside a large liquid filled container, whose implications to the series down the line are great once you get there. For now though he is a big mysterious head with information about the Doctor that he doesn’t have yet. He has a message for him, but knows that it can wait till the next time they meet, which he posits will be their last meeting. Knowing who the Face Of Boe is, and what he represents makes seeing him here (and then again in S3) just a joy to fans.

The episode actually acts as a quasi-sequel to the S1 episode 2 (THE END OF THE WORLD) as it brings back another person from that episode, namely the villain Cassandra. You recall her, the last human, the big piece of stretched skin on a frame who needs to be constantly moisturized. Well, turns out she survived her apparent death in S1 by using skin from her ass. Both Cassy and Boe are in a future hospital where powerful ailments are cured, and are administered to by a set of human cat nuns. Yep, human cat nuns! Did I mention DOCTOR WHO was awesome?! The Doctor and Rose arrive to find that diseases the Doctor considers incurable are being not only treated but cured. He smells a rat and the two quickly find out that not all that’s going on at the hospital is above board, and the human cat nuns are harboring some deep secrets. So if Cassandra’s not the villain, how does she fit in you ask? Well that’s easy, she brings a lot of comedy in her attempts to swap bodies to get a new one and live a new life, including both the Doctor and Rose’s bodies for a time. When she takes over Rose’s body, she unbuttons the top buttons and allows the cleavage to spill out. Cassandra is a bit randy it appears. Which takes us to her kissing Ten and giving the shippers something to strive for goal-wise.

What RTD does best here (other than inure Rose and Ten to each other from moment one and give us a solid diatribe about the evils of “a means to an end” going on in the hospital)…is he gives his previous villain closure. Cassandra jumps around bodies and eventually ends up in that of her assistant Chip, who willingly allows her to inhabit his body. But since he’s a clone the body begins to fail with a real human soul inside it, leaving Cassandra to finally have to confront the death she’s been avoiding all these years. In one of RTD’s perfect moment’s of clarity the Doctor decides to do a final favour for Cassandra, and takes her back into the past on the last night that she recalls someone calling her beautiful. The Cassandra-In-Chip’s-Body goes up to her younger self and tells her just that before finally dying in her younger self’s arms. It’s this kind of moment that RTD (and even sometimes Moffat) are good at. Here we have the villain, a woman who caused no end of heartache and almost destroyed an entire space station, and followed that up with body switching in an attempt to STEAL more life from others…and the Doctor gets right to the root of her, who she is and what makes her do the things she does. Then he makes this magnanimous gesture and allows her a moment of peace and love and beauty before she passes away. It’s interesting how we all rattle on about how the Doctor’s anger is something to behold, a terrible, shadowy growling god and if you get on that bad side you can be dealt with very harshly. But here’s where these men writing this character understand him best. His love, his compassion, and his benevolence even to his enemies (both The Master and even Davros receive this treatment as well) is a far more stunningly powerful thing to observe. Watching quiet moments like this actually make me want to be a better person. Here’s a very lonely man who COULD, if he chose, allow that loneliness to eat him up and leave only anger and bitterness…but instead when he lets love in he can be the proudest, glowing paragon of truth in the universe.

And I love that about him.

The main issue at hand, that of the nefarious way that the hospital nuns are curing diseases, is poignant as well and results in some of that anger I mentioned above, but when you finish the episode you will definitely take more away from the Cassandra plot line, and I think that was deliberate on RTD's part. Again, the man is a stellar writer and episodes like this showcase it.

Tennant gives everyone an absolutely incredible performance in his first proper episode. He’s note perfect. Watching NEW EARTH is like a window into the man we know will become voted the best Doctor ever in history. A boy who grew up watching the 4th and 5th Doctor’s himself, comes to play the character and absolutely knocks it out of the park week after week. Well that all starts here, with that quiet moment at the tail end of this episode.

Next Time: Queen Victoria is “not amused” in TOOTH & CLAW!

Doctor Who Re-Watch: Series 2, Episode 1 - The Christmas Invasion

Ah THE CHRISTMAS INVASION, thou art a weird duck. The first episode of Series 2, the first full episode with David Tennant in the lead as the 10th Doctor is quite good. But it’s still an odd duck since it’s technically what will come to be called a Doctor-lite episode down the line.

Sidenote: Doctor-lite: These are episodes that existed during the tight shooting schedule when David and Billie or down the road Freema or Catherine would be shooting other episodes and the need to get done more shooting in less time was high (this is info I’ve gleaned from Russell T. Davies book A WRITER’S TALE, which is a must-read if you are at all interested in the behind the scenes of the show) so they would craft an episode that only marginally included the Doctor (prime examples are BLINK, and LOVE & MONSTERS).

THE CHRISTMAS INVASION is a different type of this because it wasn’t a scheduling conflict that made it be Doctor-lite but rather the fact that the violent and taxing process of the 9th Doctor’s regeneration into the 10th Doctor had left the Time Lord bedridden and unconscious for the majority of the running time.

Where the episode benefits from this most is in the fact that Rose Tyler, her mum Jackie and her boyfriend Mickey Smith get a chance to really shine front and center solving a large part of the mystery in the narrative (this time an invasion of the Sycorax) on their own before the Doctor even wakes up.

Let’s get the plot out of the way, which for a Christmas Special is serviceable, if one of the more lackluster ones from the stellar Series 2. While the Doctor is convalescing, Rose and Mickey go Christmas shopping, only to be attacked by Santa robots! When they escape home the Doctor briefly wakes only to defeat the robots and mention it’s the residual regeneration energy that is drawing the things to him. Prime Minister Harriet Jones (whom you’ll all recall became Prime Minister after the incident with the Slitheen in Series 1) has sent a probe into space to Mars, but little known to her it has been gobbled up by the Sycorax warship on its way to earth to invade. The Sycorax arrive and hypnotize people all over London to position themselves on the tops of buildings with the threat that they will make the humans jump if those in charge don’t surrender half the human population to the aliens to become their slaves. This plotline slowly gets undone by the discovery that all the hypnotized humans have the same blood type (that of the type that was on the probe the ship gobbled up), and the eventual moving of the Doctor to the TARDIS where he finally wakes. Upon learning of the plot, the Doctor challenges the Sycorax leader to a swordfight (in borrowed pajama’s yet!) where he subsequently loses his hand. Being so close to the tail end of his regeneration though the hand grows back, and the Doctor is able to vanquish the leader in the confusion. Pretty standard stuff, but not at all unpalatable either. Decent and entertaining, if kind of a prologue to the rest of the Series.

Like I said above though, the spot where this ep shines best is with Rose and Co. All three of them spend a lot of time trying to come to terms with the regeneration, since the idea of it is so alien to them as humans. This person seems to be the same on some levels, but on most others including his looks he is also quite different.  There is a CORE that makes him a Time Lord and some very specific rules he follows, but otherwise all bets are off. The 9th Doctor is gone and in his place is a stranger. Compound this with the adoration that Rose had already begun to have for the 9th Doctor, this further complicates her own feelings. Imagine falling for someone only to have them change their face and parts of their personality. It would be bizarre to say the very least. Both Jackie and Mickey have an equally difficult time with it, but naturally on a different level than Rose. I think Jackie's reaction is probably the funniest (though that's usually the case with Camille Coduri's spot on delivery of lines) since she is truly baffled by this turn of events. I’ve always maintained that this is one of the areas where Matt Smith’s 11th Doctor missed a bit of a boat as he was freshly introduced to Amy Pond without her having known him before. I like the fact that companions have to deal with regeneration like Rose & Co. do here, and it hearkens back to Adric, Nyssa and Tegan having to see the 4th Doctor regenerate into the 5th, and again later when Peri watched the 5th regenerate into the 6th at the end of the CAVES OF THE ANDROZANI.

Now, it’s no secret that David Tennant is my favourite Doctor. I'm a card carrying, die-hard, flag waving, David Tennant fan. He likely always will be, and so THE CHRISTMAS INVASION holds a special place in my heart as his proper introduction, but there is a part of me that wishes he was in it more. That said, his scenes in the finale are very good and you can see where he is headed as the Doctor. Over the next few eps he will begin to solidify both his final look (with hair all “sticky uppy” as Wilfred Mott would call it later), his mannerisms and his personality, but in this ep he gets his wardrobe (Brown and Blue suits, plus Chuck Taylors and a long brown coat) which would become so iconic that I have personally cosplayed as him twice.

Next Time: We get more meat with the latest Doctor when he and Rose visit a future New York in NEW EARTH.